Author: Beki Borman

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May En Plein Air

What a great week to be outside painting!  May now is feeling like summer and I cannot resist any opportunity to get fresh air.  Yesterday I went to Grant Park in South Milwaukee around 9am.  It seemed early but the sun was still hot.  I of course chose my painting spot in the middle of an open field with no tree cover so that I coud paint the tree line out in front of me.  I was also facing the sun.  Not ideal conditions… but I caked on the sun screen and made it work.  Three hours was about all that I could stand.  I had plenty of water and sunscreen but was still feeling drained by the sun exposure.

After packing up my easel I decided to cool off by dipping my feet in the lake.  It was one of those inspiring mornings that words cannot do justice to.  I walked the path through the park crossing wood bridges over shallow streams.  I didn’t know I was so close to the lake, but when I found it I saw it open up in fornt of me like it was waiting for me.  And best of all, there was no one else around!  I slipped my feet into the icy water and walked along the shore.  I enjoyed the sounds of birds and waves.  I found a few interesting rocks.  I thought about painting.  It was good.

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New Techniques

Over the past few months I have been refining my technique slightly.  I have continued to use a palette knife or painting knife as my primary tool.  However, I have begun to modify the painting with a brush once the paint is in place.  This allows my to create a larger diversity of mark making with finer details of the focal point or area of interest. The paintings, as a result, have become much more controlled.  This does not feel static or stale to me, but rather a more mature version of my earlier work.  I am also returning to color a as a primary subject matter (in some of my work I feel this intention had gone a bit off course).  With the festival season starting for me next week, I am excited by the prospect of clearing some space in my studio to make room for new development.  I have just finished gessoing a series of panels and canvases that I cannot wait to paint on!

 

Image: Approaching Storm (detail), oil on panel, 2012

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A Plein Air Morning

The weather has been phenomonal for March, so I could not resist getting out this morning for my first plein air session of the season.  I left my knives behind today and just did a good old fashioned brush painting.  It felt good.  I was right on a bluff overlooking the lake at Sheridan Park in Cudahy.  The sun was still low in the east, creating a dramatic light from the left.  I was inspired by the dark evergreens silouetted againts the bright eastern sky.  I enjoyed the fresh air and the freedom of capturing a passing momoent in time.  This is definately the best plein air session I have managed so far- can’t wait to do more.

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Head in the Clouds

Lately I have been painting and drawing clouds.  I thought it would offer a different perspective and fun change.  However, it has proven to be more challenging in oil paint using my knife.  The hard, rough, and aggressive surface created with the painting knife contrasts with the assumed feeling of soft fluffy clouds.  I am going to try to work with this conflict and see what I can make of it.  I also suspect I will be pulling out the brushes soon.  The pastels, on the other hand, are quite easy.  As seen in this recent pastel drawing, the pastels blend and soften easily into representational forms.  Is direct representation my intent?  I would still argue that it is not – though I enjoy making the more representational pastels before taking liberties in the oil painting.  This also give me a clearer sense of what I am doing when I manipulate, simplify, or translate in oil.

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Evolving

I have not abandoned the pond project yet- however boredom has motivated me to seek ways of keeping it interesting.  Yes, I have been using more brushwork.  I still begin with a knife for a loose beginning to each painting.  I block in areas of color quickly.  Then, with a small round brush I maneuver the paint on the surface.  The most important application for the brush is capturing the branches.  I am also able to create more detail and subtlety through this hybrid mark making system.  These two paintings were done using the same limited palette of cadmium orange, ultramarine blue, and titanium white.  These images are taken from photograph- two pictures shot just days apart.