This image is from last Tuesday’s abstract painting class at the Sharon Lynne Wilson Center for the Arts. The image on the left was the quick expressive first layer. I was reacting to the colors and shapes from a random magazine ad. The image on the right is the second layer which incorporates different techniques such as masking, rollers, and dripping. I found the result particularly interesting because I like the first painting and then I “messed it up” for the sake of demonstrating techniques. However, I also found this to be a good opportunity to talk about the ugly stages in painting. Often there are moments when you will like a painting and moments when you will hate it. Of course the goal is to come out on the side of like. Yet, the more I look at the painting I ended up with the more I like it anyways!
Just Beyond
acrylic on canvas
20″ x 24″
Over the Falls
acrylic on canvas
16″ x 20″
Breaking Sun
acrylic on canvas
30″ x 40″
Moving Closer
acrylic on canvas
16″ x 20″
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Warm Sky
acrylic on canvas
30″ x 40″
All the Colors
acrylic on canvas
24″ x 36″
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Shimmering at the Edge
acrylic on canvas
30″ x 40″
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The Persistence of Sound
acrylic on canvas
24″ x 36″
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Sea and Sun
acrylic on canvas
18″ x 24″
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Summer’s End
acrylic on canvas
12″ x 16″
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Farm Country
acrylic on canvas
18″ x 24″
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Canyon View
acrylic on canvas
16″ x 20″
Sold!
Moonlit
acrylic on canvas
20″ x 24″
Sold!
Preparing the Land
18″ x 24″
acrylic on canvas
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Thoughts on Process
I recently taught a class, “Painting by Process” at the Cedarburg Cultural Center. The purpose of the class was to take students step by step through planning and execution. Often my students ask me in such classes, “Do you really work this way?” The truth is no, but I should. The class involves composition studies and value studies on the first day. The second day we do a study focusing on color. The last two sessions are spent executing a larger final painting. Each day also involves journaling with prompt questions. While this is not the only way to work- it is a beneficial one. Not all people are planners. I know I am not (at least when it comes to painting). Many painters are spontaneous and in the moment and I think that is important too. But at least once and a while it is important to slow down and plan. Even if it does not result in a masterpiece. The process will force you to think more critically about your art and that habit will carry over even when not intentionally utilized.
Overcast Farmland
20″ x 22″
acrylic on panel
Marshland
Rain Colors
24″ x 36″
acrylic on canvas
$700.00 via PayPal
$15.00 shipping within US
Ripe Morning
acrylic on canvas
20” x 24
available at the Woodwalk Gallery
Spring Haze
acrylic on canvas
16” x 20”
available at the Woodwalk Gallery