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iPad Paintings

So I recently acquired an iPad (thanks Ben) and the most useful tool I have found on it so far has been the Sketchbookx Application (this is the free version).  It is a drawing and painting application that allows me to select brush size, opacity, color, etc.  There are pencil and marker tools as well.  I am still learning all of the different things I can do with it.  There is definitely a digital “look” to the finished product.  However, it’s useful for sketching out ideas or studies quickly and easily.  As an artist, it is always fun to try new tools and see how they integrate into studio work.  Another option I have toyed with is importing pictures of in-process paintings to this application and playing with ideas for the next step.

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October Afternoon

20″ x 24″

acrylic on canvas

 

This is a bit of a departure for me, but I am having fun with my acrylics.  I have been using brushes again and playing with a loose, painterly approach.  Obviously a lot of autumn in my recent work- how could I not be inspired by the season?  This piece feels particularly personal to me.  I recall the afternoon I took this photo vividly. One benefit to working from photos is being able to relive the memory in creating the painting.

 

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Fish Creek Sunset

10″ x 16″

acrylic on paper

I have been playing with acrylics lately because I have been teaching them a lot and have found myself inspired by my students.  This image is from a photo I took last time I was teaching at the Peninsula School of Art.  I took an hour to hike through the State Park after class and despite being very cold, I found some inspiring views.

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Impressionism

I just wrapped up a 3 week class on Impressionist style landscape painting at the Cedarburg Cultural Center.  Being on a bit of a break from my regular studio work, I felt like channeling my inner impressionist yesterday.  Working from photographs I took at Peninsula State Park earlier this month, I whipped up some autumn paintings in acrylic.  I tried to force myself to stay loose and intuitive with the paint.  I tried to relinquish some control of mixing and detail.   I had fun and  I know that this will certainly inform my work going forward.  The classes I teach inevitably change me as an artist for the better.

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On Teaching

This photo was taken in Peninsula State Park last weekend.  I was up in Fish Creek for a class on acrylic painting at the Peninsula School of Art.  At Peninsula they format their classes as multiple day-long workshops.  This format is incredibly beneficial to the students because they are literally on an art retreat.  They have the time to become immersed in what they are doing.  It is a retreat for me as well.  I feel fortunate that I was able to spend the weekend talking painting with a group of passionate art students.  After class I took this walk in the park to reflect on the day and its lessons.  Also, I just had to grab some photos of the changing colors for my reference library!

This month I find myself teaching more than I think I ever have.  In the month of October I literally have at least one class every day with maybe a few exceptions.  Granted, this has lead to a slow down in my own studio work.  However, so much energy dedicated to talking about painting is giving me a chance to reflect and refocus.  When I do return to art production I know that it will be with a clear head.  I am spending this time reading, writing, sketching, and of course teaching.  My schedule will lighten by mid November and I look forward to winter months cooped up in my studio.  It is sort of a cliche’ to say, but I learn so much from my students and I cannot wait to implement the lessons I am learning to my own work.

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Pastel Landscape Process

Inspired to do a larger pastel piece, I worked on a 22″ x 24″ sheet of red Canson paper to create this drawing.  I took photographs along the way to illustrate the process.  First I began with a simple value focused watercolor underpainting.  It’s important to not overwork this step and stress the paper.  In landscape, I almost always start with sky.  Once the sky is established it is easy to build in front of it.  I may have to tweak colors in the sky later for cohesiveness, but I shouldn’t have to do much.  The most difficult part of this piece was the large expanse of grassland.  It was hard to be consistant without it being too boring so I tried to vary of the colors and marks.  However in doing so I walked the line of making it too “chunky” and imaginary.  After  a few days work on this piece I am happy with the end result, the balance of warms and cools, of ground and sky.

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Reflections on an Art Fair Summer

When the festival season is over for me (in 2 weeks) I will have 9 festivals under my belt.  By far the most I have ever done in one summer.  There has been a huge learning curve and I have tweaked my display at almost every show.  I have also kept notes on which festivals I will do again next year and which ones I won’t.  I had good festivals and bad festivals, but there is more to it than sales.  There were festivals this year I did not sell a thing at- but I am still considering returning to these festivals next year because it was good exposure, an art educated crowd, or just plain fun.  Next summer will likely be more concise in terms of my festival schedule.  I may also branch out a little further into Illinois or Minnesota.  Fellow artists have proven to be a priceless resource in providing pointers and recommending other shows.  Even when I was not selling I was learning, making connections, and gaining exposure.  This weekend is Mount Mary Starving Artist Festival (which will be a very different kind of show for me).  Following that is Hidden River the 14th-16th.  I will stay cautiously optimistic about these coming weeks!

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Little Paintings Continued

I have been focusing on making mini 5″ x 7″ paintings on panel.  I enjoy the quick discovery of new color compositions.  Also, the finished piece take on a more intimate, precious feeling as a miniature.  Many of the images are repeats of compositions done before.  I often intentionally repeat the same scene multiple times in different mediums or at different scales to see the contrast in impact.  Many of these pieces will be available for purchase at upcoming festivals.

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Little Paintings

Today I am beginning a series of small 5″ x 7″ paintings.  I am doing this for a few reasons.  First and most importantly I feel great artistic freedom in making these smaller works as simple but provocative color abstracts.  I envision this as being a possible wall at my next solo show coming up this September.  With the Mount Mary Starving Artist show also in September I need some smaller inventory.  Finally, my recent 20+ Paintings Class in Fish Creek has inspired me to return to small for a while.  Working small allows me to figure a lot of things out.  There is a sensitivity and a simplicity to the landscape when broken down to be contained at this size.

These are the first round of prepared panels.  I work on masonite.  I begin by gently sanding the surface.  Then I apply 2-3 coats of gesso.  Finally I apply a base color.  Here I have used red, orange, and yellow.