Cézanne’s Subjectivity

I am currently reading the book Proust was a Neuroscientist by Jonah Lehrer.  The book is about great artists of all forms and how their art was ahead of our understanding neuroscience.  For example, Lehrer describes how Walt Whitman’s writing connects “soul” to the physical body.  Lehrer describes the culinary art of Auguste Escoffier and the discovery of umami (the 5th taste after bitter, salty, sweet, and sour).   Also covered in this book is Paul Cézanne.  I just had to write about this chapter.  As Lehrer writes, “Cézanne’s art exposes the process of seeing”  (98).  Cézanne, as a post impressionist, took us away from the idea that seeing was all about light.  Rather, Cézanne showed us that seeing was about imagination,  Everything we see with our eyes is processed by our brains.  As our brains are skilled at drawing connections and making inferences, this process greatly affects what we think we see.  Seeing is creating.  Cézanne’s paintings attempted to expose this higher reality.  “Cézanne abstracted on nature because he realized that everything we see is an abstraction” (109).

Lehrers’ book is an interesting read and I recommend it for those interested in how art and science work together in understanding the world.

 

Image: Paul Cézanne, Mont Sainte-Victoire, 1882-1885

My Studio

Here is an inside shot of my studio, cleaned up for last Friday’s Gallery Night.  A lot of recent work is on the wall, half of which is going up to Woodwalk in Door County this weekend.  That will leave me some room to make more paintings!

Adventures in Framing

I have been working on different framing techniques for my Chromascape series.  Some variations include adding a space and not varnishing.  These are two samples.  Both leave a space, but one is raw and one is varnished.  It’s hard to decide which way to go, as I feel they need to all be the same but the different colors compliment different paintings. Another option I am considering is not framing at all but cleaning up and painting the sides of the panels.  In doing this I use the color of the under painting, which accentuates the under painting.  I am not sure where I will go from here, but I have to make  decision soon as I have a few shows coming up!