Studio Notes

When I really break down the main factors to my decision making, the basic components of my work are in two categories:

subject: landscape
design (as theme): color, composition, complexity, contrast

It is so simple really. My reasons for being interested in these things are complex, but the paintings themselves are not. I like it that way. There are many kinds of artists in the world and there are many ways one can express their ideas. For the highly complex stuff, I choose words. In art, I want the simple pleasure of a visual experience.

Image: Sketchbook 57, crayon on paper, 5″ x 7″

Death of a Painting

It can be a very difficult thing to throw a painting away. Once I have made a serious commitment of time and materials to a piece I never want to quit. I have struggled through some pretty miserable paintings and have found success in the end. The more I push and the more paint I apply, the harder it is to give up. I understand intellectually that the time and energy are never wasted because the learning process is more valuable then the product. Emotionally, however, it is still a feeling of utter failure.

I came across this Wednesday. There is this painting I have been pulling out and working on for a month or so. I kept changing my mind about everything and it just refused to meet that indescribable place in the creation process where I go “yes!” Such a moment exists by the way.

The paint on this thing was getting horribly thick, so thick I couldn’t reasonably paint on it anymore. After 2 hours I made a quick and sudden decision to end the suffering. Without thinking too long or hard about it I jabbed my pallet knife through the canvas, tearing the piece down the center. Oh the freedom. I had to physically destroy it to prevent myself from ever returning to it again. I felt sad, and frustrated. It was not so much about the wasted time as it was about the wasted paint. I mean, we are talking about a lot of paint. Despite this, I felt very good about myself and my ability to make that decision. I trust that I know when I have a painting worth saving and when I don’t. I got over the loss quickly, but the confidence and relief remains.

Matthew Ritchie’s Inspiring Words

I love Matthew Ritchie’s work and philosophy. His work deals with perception, reality, and entropy. I recently watched the Art 21 interview with him, which I highly recommend. In it, Ritchie expresses that in his opinion, “there is no distinction between figure and abstraction, between conceptual and visual. Blurring the lines is a more honest representation of reality”. For so long I think I have been worried about where I sit on the spectrum of these definitions. More accurately, I think I have been troubled my my constant flip flop between abstraction and representation. Ritchie’s words have helped me to rethink why this bothers me. I thank him for that!

Image: After Lives, Matthew Ritchie